Me And Jesus

Over the years, Jesus has made his way into a ton of songs, many of which are on my i-pod today. Here's the official STWOF Jesus mix:

01. Talladega Nights – Baby Jesus Grace
02. Ernest Tubb - What A Friend We Have In Jesus
03. Tom T. Hall - Me And Jesus
04. Kinky Friedman - High On Jesus
05. Paul Newman - Plastic Jesus
06. The Bad Livers - Jesus Is On The Mainline
07. Loretta Lynn - I'd Rather Have Jesus
08. Bobby Bare - Dropkick Me, Jesus
09. Bobby Charles - Save Me Jesus
10. Help Yourself - I Must See Jesus For Myself
11. The Byrds - Jesus Is Just Alright
12. Buck Owens - Bring It To Jesus
13. Billy Joe Shaver - Jesus Christ, What A Man
14. Johnny Cash - It Was Jesus
15. Emmylou Harris - Jerusalem Tomorrow
16. John Prine - Jesus The Missing Years
17. Lightnin' Hopkins - Jesus Would You Come By Here
18. Tom T. Hall - One More Song For Jesus

"I like to party, so I like my Jesus to party..."

Links: Cindy Walker @ Harry's Music

I've really been enjoying Harry's Music lately. Blogger Don's latest post is about prolific Texas songwriter Cindy Walker.

Check it out!

Now enjoy a couple of songs penned by Cindy Walker:

Ray Charles - You Don't Know Me (buy album)
The Byrds - Blue Canadian Rockies (buy album)

UPDATE: If anybody has a copy of this album, I would love to hear it...

Higher than I've ever been before

The Byrds - Chestnut Mare (buy album)

Always alone, never with a herd
Prettiest mare I’ve ever seen, you’ll have to take my word
I’m going to catch that horse if I can
And when I do I’ll give her my brand

Well I was up on stony ridge after this chestnut mare
Been chasin’ her for weeks
Oh, I’d catch a glimpse of her every once in a while
Takin’ her meal, or bathing; a fine lady

This one day I happened to be real close to her
And I saw her standin’ over there
So I snuck up to her nice and easy
Got my rope out, and I flung it in the air

I’m going to catch that horse if I can
And when I do I’ll give her my brand
And we’ll be friends for life
She’ll be just like a wife
I’m going to catch that horse if I can

Well I got her, and I’m pullin’ on her, and she’s pullin’ back,
Like this mule goin’ up a ladder
And I take a choice and I jump up on her
Damned if I don’t land right on top of her

And she takes off, runnin’ up on to the ridge
Higher than I’ve ever been before
She’s runnin’ along just fine, till she stops and something spooked her
It’s a sidewinder, all coiled and ready to strike
She doesn’t know what to do for a second
But then she jumps off the edge, me holding on

Above the hills, higher than eagles were gliding
Suspended in the sky,
Over the moon, straight for the sun we were riding
My eyes were filled with light
Behind us black walls, below us a bottomless canyon
Floating with no sound
Gulls far below, seemed to be suddenly rising
Exploding all around...

I’m going to catch that horse if I can
And when I do I’ll give her my brand
And we’ll be friends for life
She’ll be just like a wife
I’m going to catch that horse if I can

And we were falling down this crevice, about a mile down I’d say
I look down and I see this red thing below us, comin' up real fast
And It’s our reflection in this little pool of water
About six feet wide and one foot deep

And we’re fallin' down right through it
And we hit and we splashed it dry
That’s when I lost my hold and she got away
But I’m gonna’ try to get her again some day

I’m going to catch that horse if I can
And when I do I’ll give her my brand
And we’ll be friends for life
She’ll be just like a wife
I’m going to catch that horse
I’m going to catch that horse
I’m going to catch that horse if I can
I’m going to catch that horse if I can

***

So, what do you think?

The "Original" Sweetheart Of The Rodeo - UPDATED!

One of the things I like to do here at Setting The Woods On Fire is to compile what I call the "original" version of well-known cover albums.

It's no secret that The Byrds' Sweetheart of the Rodeo was an important album in the development of country rock. (Read about it here, here, and here.) But you might be surprised to learn that nine of the eleven songs were covers.

Listening to earlier versions of the songs covered by The Byrds, along with two originals written by then-member Gram Parsons, gives you a pretty good idea what the band was thinking when it created Sweetheart. It also shows how much of their own unique style The Byrds contributed to these songs.

1. You Ain’t Goin’ Nowhere - Bob Dylan (buy)
2. I Am A Pilgrim - Merle Travis (buy)
3. The Christian Life - The Louvin Brothers (buy)
4. You Don’t Miss Your Water - William Bell (buy)
5. You’re Still On My Mind – George Jones (buy)
6. Pretty Boy Floyd - Woody Guthrie (buy)
7. Hickory Wind - The Byrds (buy Sweetheart Of The Rodeo)
8. 100 Years From Now - The Byrds (buy alternate version)
9. Blue Canadian Rockies - Hank Snow (out of print?)
10. Life In Prison - Merle Haggard (buy)
11. Nothing Was Delivered - Bob Dylan & The Band (buy)

[Note: The alternate take of 100 Years From Now is the original take using Gram Parsons' vocals, as opposed to Roger McGuinn's, which appear on the official release. Also, the Merle Travis and Hank Snow songs here are not the first recorded versions, just ones I liked better.]

UPDATE!

Reader Eric points out that I should have used the Basement Tapes version of You Ain't Goin' Nowhere, which is the version The Byrds would have heard. Read his comment! Also on Eric's suggestion, I'm posting Otis Redding's excellent version of You Don't Miss Your Water:

Bob Dylan – You Ain’t Goin’ Nowhere (Basement Tapes version) (buy)
Otis Redding – You Don’t Miss Your Water (buy)

Who invented country rock?

This post is inspired by an e-mail from reader Tom who took issue with my off-the-cuff comment in an earlier post that Gram Parsons “wrote the book” on country rock. I had been referring to Parsons' work with The Byrds, The Flying Burrito Brothers, & as a solo act, and wrongly implied that Parsons invented country rock. Tom, who knows his stuff, pointed out that several country rock songs were released before The Byrds put country-rock on the map in the Summer of 1968 with Sweetheart of the Rodeo.

This got me thinking about who did invent country rock? Let's look back at the period between 1954 (when rock and roll was first popularized) through 1968 (Sweetheart) to see if we can find an answer to that burning question.

Sweetheart of the Rodeo (1968)

Sweetheart of the Rodeo, released in the Summer of 1968, was the Byrds first and only LP made with country-rock icon Gram Parsons. While Sweetheart may not have been the first instance of country rock, its released marked the arrival of country-rock as a full-fledged "style."

Here is Gram Parsons' vocal and songwriting highlight from Sweetheart:

The Byrds - Hickory Wind (buy album) (1968).

Hickory Wind played a key role in the The Byrd’s legendary March 15, 1968 visit to the Grand Ole Opry. Read about it here.

Here's a video of The Byrds (sans Parsons) performing another song from the same album. On this cover of Bob Dylan’s You Ain’t Going Nowhere, The Byrds are joined by bluegrass great Earl Scruggs:



Now let's turn back the years...

Rock and Roll’s Origins (Elvis Presley, The Everly Brothers, & Jerry Lee Lewis)

All music styles are combinations of earlier styles. Rock and roll is a mixture of country, blues and R&B. Country's influence can be heard in Elvis Presley's cover of this Bill Monroe classic:

Elvis Presley - Blue Moon Of Kentucky (buy album) (1954).

The Everly Brothers were another early rock group with a strong country element, and they also served as a key influence on The Beatles and Gram Parsons.

The Everly Brothers - When Will I Be Loved (buy album) (1960).

After the peak of their popularity in the early 1960’s, the Everly Brothers re-located to California and, in 1968, released a great "lost" country-rock LP called Roots

Another early rock and roll great heavily inspired by country music was Jerry Lee Lewis. Check out this Hank Williams cover from Jerry Lee's incredible Live at the Star Club.

Jerry Lee Lewis – Your Cheating Heart (Hank Williams cover) (buy album) (1964).

Here's another Sun Record star, Johnny Cash, playing one of his greatest country/rock hits: VIDEO - Folsum Prison Blues (Live).

With country-influenced artists like Elvis, The Everly Brothers, Jerry Lee Lewis, Johnny Cash, Carl Perkins, and Buddy Holly (who learned to sing copying Hank Williams' Lovesick Blues) present at the birth of "rock," it's easy to see why rock was such a fertile ground for the development "country rock" as a distinct style.

The Beatles

Beatles fanatics claim that the Fab Four invented pretty much every recent style of popular music from folk-rock to psychedelic to heavy metal. When it comes to country rock (another claimed Beatles innovation) they might have something of a point. Steve Earle called Beatles For Sale the “hillbilly Beatles record.” It's no question that The Beatles were fans of country music and incorporated some country sounds into their music. Their record contract apparently included a provision calling for them to receive advance copies of all Buck Owens’ releases. You can hear some Beatles' twang in this track from the Hard Day’s Night soundtrack:

The Beatles – I’ll Cry Instead (buy album) (1964).

More twangy Beatles' songs from 1964-1966 include I’m A Loser, Baby’s In Black, Honey Don’t (Carl Perkins cover), I Don’t Want To Spoil The Party, Everybody’s Trying To Be My Baby (Rex Griffin cover), Act Naturally (Buck Owens cover), I’ve Just Seen a Face, Run For Your Life, and What Goes On.

Here's a video of Ringo doing his best Buck Owens: VIDEO - Act Naturally (Live).

The pre-Sweetheart Byrds

Interestingly enough, one of the most proficient country-rock acts before Sweetheart was The Byrds themselves. They exhibited a country influence from the very start of their recording career, primarily due to the influence of Chris Hillman, who later left the band with Gram Parsons to form the Flying Burrito Brothers. Here are three country-rock songs from three albums released before Sweetheart.

The Byrds – Mr. Spaceman (buy album) (1966).
The Byrds – Time Between (buy album) (1967).
The Byrds – Wasn't Born To Follow (buy album) (1968).

The Byrds also covered the country standard Satisfied Mind on their second album, Turn! Turn! Turn! in 1965.

While Gram Parsons may have pushed The Byrds into making an entire album of country music, it probably took only a slight nudge, especially with Hillman's help.

Gene Clark & The Gosdin Brothers

Gene Clark left the Byrds in 1966 to pursue a solo career. His first effort was an excellent, but unappreciated, country-rock album called Gene Clark With The Gosdin Brothers. The Gosdin Brothers were a bluegrass duo who went on to record an important country rock album of their own in 1968 called Sounds of Goodbye. Also featured on Gene Clark's first solo album were Chris Hillman, brilliant country guitarist Clarence White, and Doug Dillard of The Dillards (later a collaborator with Gene Clark on The Fantastic Expedition of Dillard & Clark)

Gene Clark – Tried So Hard (buy album)(1967).

The Gosdin Brothers later recorded this killer country-rock track (which went unreleased until 2006):

The Gosdin Brothers – Georgia (buy album) (1969).

The International Submarine Band

Gram Parsons first release came as the leader of the International Submarine Band. ISB formed on the East coast as The Like and were coaxed by Parsons to move west where they eventually broke up. Shortly after they broke up, Parsons and guitarist John Nuese obtained a recording contract from Lee Hazlewood's LHI label and, with new member Chris Ethridge, recorded the country-rock album Safe At Home under the International Submarine Band name. Shortly after the album was released Parsons joined The Byrds, dooming Safe At Home to obscurity for years.

The music on Safe At Home is great country-rock. There are some great Parsons originals, such as Blue Eyes and Luxury Liner, as well as a number of well-played country covers, like Miller's Cave and Do You Know How It Feels To Be Lonesome?

International Submarine Band – Luxury Liner (1968)
International Submarine Band – Miller's Cave (1968)
(buy album).

There is a good article about the International Submarine Band in Oxford American.

Ray Charles

Ian Dunlop, an original member of the International Submarine Band is quoted in Ben Fong-Torres' book Hickory Wind saying that Ray Charles 1965 album Country and Western meets Rhythm and Blues was "key" in breaking the barriers between the band members and getting them "into this amalgram of truer country music, but with a rock or a slight rhythm-and-blues treatment."

Ray Charles – I've Got A Tiger By The Tail (Buck Owens cover) (buy album) (1965).

From the Country Side (Buck Owens & The Dillards)

Country-rock did not only develop on the rock side. Country music also changed in the 1960's as a reaction to the popularity of rock music. A number of acts added drums and became more electricfied. The leader of this movement on the country side was Bakersfield California's Buck Owens.

Buck Owens – My Heart Skips A Beat (buy album) (1964).

Here's a video of Buck Owens and Don Rich from 1966: VIDEO - Love's Gonna Live Here (Live).

In the meantime, The Dillards were experimenting with a combination of blue grass and folk/pop/rock. Here's one from their masterpiece Wheatstraw Suite:

The Dillards – Reason To Believe (Tim Hardin cover) (buy album) (1968).

Bob Dylan

Bob Dylan was heavily influenced by Hank Williams and famously recorded a number of songs with Johnny Cash. He was also a major innovator during the Sixties. So it’s not surprising that he was involved in the birth of country rock when he released the LP John Wesley Harding in late 1967:

Bob Dylan – I’ll Be Your Baby Tonight (buy album) (1967).

Here's a gum-chewing (?) Bob Dylan with Johnny Cash: VIDEO - One Too Many Mornings.

Pioneering Sixties Rock Bands

The Byrds and The Beatles were not the only major 1960s rock bands to dabble in country sounds. Here are four more bands from the same era:

The Lovin' Spoonful - Nashville Cats (buy album) (1966).

I just love this tune. It's a grower, but a quick one. After a few listens I was completely hooked. I especially like the line: "Well there's 1,352 guitar pickers in Nashville, and they can pick more notes than the number of ants on a Tennessee anthill. Yea, there's 1,352 guitar cases in Nashville, and anyone that unpacks his guitar can play twice as better than I will...."

Buffalo Springfield – Go And Say Goodbye (buy album) (1966).

Neil Young's, Steven Still's, and Richie Furay's first band is probably second only to The Byrds as a driving force behind country rock.

Moby Grape – Ain't No Use (buy album) (1967). (The extended remastered version is out of print as a CD, but still can be downloaded from Amazon.)

For more about this great album see here.

The Band - Long Black Veil (buy album) (1968).

The Band had been mining American roots music for years while working as The Hawks and backing Bob Dylan. Their first album, Music From Big Pink, released within days of The Byrds' release of Sweetheart of the Rodeo, included this cover of a Lefty Frizzell song.

Conclusion

No single person "invented" country rock. It's creation was the natural result of a rock musicians being open to the influence of country music, and vice versa. But I would still call Gram Parsons the face of country rock, if nothing else. Here's one of his best songs:

The Flying Burrito Brothers – Sin City (buy album) (1969).

Special thanks to The Rising Storm for having so much great material to link to in this post.

The Flying Burrito Brothers Live At The Avalon

One of the great things about having a music blog is that they send you free records. Sometimes you even like them! Case in point, the good folks at Amoeba Music sent over a copy of the new Flying Burrito Brothers' live release. For marketing reasons its being billed as "Gram Parsons with The Flying Burrito Brothers - Live at the Avalon Ballroom 1969."

Gram Parsons gets special billing today because of his historical stature. His work is to country rock what Bill Monroe's is to bluegrass and Bob Wills' is to western swing: It defines the style. Through his work with the International Submarine Band, The Byrds, The Flying Burrito Brothers, and his solo albums (featuring Emmylou Harris), Gram wrote the book on country rock.

If you're already a fan of the genre, you'll like the new Avalon Ballrom set. It's rock musicians playing country music to hippies. The sound quality is good and the set list leans to the country side. The highlight for me was the FBB's cover of "You Win Again," which is one of the greatest Hank Williams songs. Also on the album is an outtake of Gram working through his classic tune Thousand Dollar Wedding. It's interesting to hear an early rendition of what later would become a signature song. (Buy the album to hear that one).

It's also worth noting that the packaging is nice with liner notes by, of all people, noted rock groupie Pamela Des Barres. Hey, she was there, so she should know...

Check out a few choice cuts from the Avalon concert:

The Flying Burrito Brothers – You Win Again (Live) (buy album).

The Flying Burrito Brothers – Train Song (Live) (buy album).

As enjoyable as the live set may be, its not the place to start if you are new to Parsons/Country-Rock. I would recommend starting with the two-for-one CD with his solo albums G.P. and Grievous Angel. Two other seminal country-rock albums that every country and rock fan should own are the Flying Burrito Brothers' Gilded Palace of Sin and The Byrds' Sweetheart of the Rodeo, both of which feature Gram prominently (or at least his influence).

Gram Parsons – She (buy album).

The Flying Burrito Brothers – Sin City (buy album).

The Byrds – The Christian Life (Rehearsal Take) (buy album). This bonus-track version features Gram on vocals.

Just for fun, here's the original version of The Christian Life, by The Louvin Brothers:

The Louvin Brothers – The Christian Life (buy album).

Check the sidebar area for more mp3s